killekill house trax is going strong – this time with a 4-tracker by the incredible andreas gehm. he sent us the music shortly before his death and said we could pick any of his artist names and his only condition was that the music was released on vinyl. only after his death we realized that he had obviously already taken a decision then… so we are releasing this record now as an homage to one of the most creative and funniest persons in the electronic universe of the last decade. the ep includes all his typical styles and ranges from hard jacking acid house over weirdo electro house to old school chicago- leaning piano house. a timeless record for all situations. may you rest in peace, andreas, and thanks for still rocking our floors, even when you are long gone!

(320 pages, hard cover) the dj heroes of edm have millions of fans all over the world. but all those heroes are, in turn, fans of one man: rutger geerling aka rudgr.the legendary photographer releases a 320-page, 2.5 kilogram coffee table book capturing his most memorable shots.

inspired by the early white label house music releases. vinyl only, limited copies, no digital promotion.

for house heads of a certain persuasion, dj duke is a name that resonates for all the right reasons. the u.s. veteran has been responsible for some of the 90’s most seminal moments, chiefly through tracks such as 12 minutes to do it (under his pleasure dome alias), party time and the prosumer-endorsed deep house classic, heard. he returns here courtesy of emerging imprint solo werks, who host his latest ep, green pastures. a momentous house-led workout, it compounds duke’s reputation as a producer of considerable panache while also acting as an auspicious start to life for the dublin based label. the title track is a grainy, old-school cut that bears all the hallmarks of a dusty analogue-jam and harks back to the days of vintage chicago with the sort of zest you’d expect from a man of duke’s credentials. the other original, skyscapes, is packed to the brim with industrial motifs and is characterised by the sort of effortlessly catchy baseline with which duke has made his name. mysterious and ethereal, it takes the listener on an uncompromising and throughly captivating house journey from the off. on the flip side, we have two stunning remixes, the first of which arrives from new jersey don, ruben candelario aka nicuri. a long-time favourite of nyc-based producers a la joey anderson, nicuri turns green pastures into a dreamy, acid-led space, adding layers of suspense and a glittering vocal intto the mix as he goes. last but not least are dublin-based producers slowburn, who serve up a stunning version of skyscapes. a carefully construed voyage into the deep, it caps off a fine ep with some aplomb.

first ever vinyl remastered reissue of this sought-after synth-pop /cosmic disco / funk / boogie album from 1983! lots of vocoder, analogue synths & keyboards, heavy drum machines, spacey vocals, bossa / brazilian touches, cosmic effects. the rah band was the brainchild of legendary english producer & arranger richard hewson. they debuted in 1977 with the cosmic glam hit the crunch, on which richard, an accomplished multi-instrumentalist, played all the instruments himself. in 1983, he released going up the second rah band album, where he also played most of the instruments himself, helped by several drummers, a brass section and the sweet vocals of his wife liz hewson. including massive club classics like messages from the stars, perfumed garden and more.

goodnight vienna is the fourth studio album by ringo starr. it was recorded in the summer of 1974 in los angeles, and released later that year. goodnight vienna followed the commercially successful predecessor ringo, and starr used many of the same players, including billy preston, klaus voormann, robbie robertson, harry nilsson, and producer richard perry. the title is a liverpool slang phrase meaning -it s all over-.

for its latest release, weirdest dream has landed on dopeness galore for a supernova of atmospheric sounds called white worms. weirdest dream is the moniker and playground of stockholm-based galactic explorers daniel fagerström & luciano leiva. with a history of releases on rvng and permanent vacation the duo plays around in a constellation of all analog and early digital synthesizers such as the tr-909, waldorf microwave, yamaha dx7, roland juno-60 and akai mpcs. an ambient cloud of sonic surrealism, white worms is a curious exploration of the celestial sphere through echoes of patrick cowley, sensations fix and tangerine dream.

for the 4th, neo violence have kept things closer to home, concentrating on fresh european talent for the fourth instalment in the nvs series.
on the a side, two londoners deejay astral & jeals, both well known for previous output on labels such as lobster theremin and shall not fade, combine with moscow’s rising dx2ov. the b side is occupied by a good frenchman from bordeaux, jus jam, who made his first public steps on 124 recordings and his own khasia hills.
this sampler is all about good house vibes. essential wax for any bag, taking you from the warm up to the late night through, deep cuts, peak time bangers and crowd pleasers. this sampler got you sorted!

we have encountered ice dog during one sunny belgrade afternoon while he was chasing what he was calling fish (actually slavic seniors transformed into dolphins and dolphin is not a fish). he might or might not told us the fore-coming story: a man complains of being hungry. all the time. dogs it seems are never hungry. so the man decides to become a dog. to be a dog one must walk on all fours. the hero decides to wear shoes on his hands only to discover that there is no hand left to tie the laces on the fourth shoe. what does a shoe-shod dog tie laces with? its mouth. organ by organ the man becomes a dog. one lace at a time his record transformed us into a new type of misunderstood creatures. most of the tracks are surprisingly fast and playable yet broken while others are groovy however noisy. i am pretty sure you havent heard anything like it before. but what do i know i’m a fish.
ice dog is an alias of 33.10.3402.
cover by martyna bolanowska / kaja kukul, a mastered by tim xavier at manmade mastering.

sleep-deprived, breakbeat-driven vignettes of unclear authorship, from somewhere west of lake lagoda, near the russia-finland border.sekundenschlaf has significant points of correspondence with contemporary european electronic music, as well as the golden age of (early) jungle and ambient techno. but its response to tradition, and to the zeitgeist, is idiosyncratic to say the least – with an atmosphere and psychogeography rooted in the tranquility and majesty of western russian nature, and the anxiety and distress of the country s post-soviet working class. pastoral calm meets dissonance and unease. the music has a loose, improvised feel, but its arrangements are intricate, its melodies iridescent: cascading arpeggios that stir a sense of optimism and renewal, sighing string-pads that evoke the deepest melancholy. rhythms simultaneously hyped-up and burned-out, collapsing in on themselves as they race to destinations unknown. all bound together with field recordings of eavesdropped conversations, blurred into abstraction, a droning subliminal menace.trust me, you ll be fine

volume 2 from the tropical disco camp… 4 killer disco gems lovingly tweaked, treated & tested, all carefully constructed for discerning dancefloor destruction.

whiskey disco welcomes back label boss sleazy mcqueen and a&r pontchartrain alongside newcomer, the rejected, and alumni vagabundo club social for the 3 track ep thats all in the hips and the lips and the eyes and the thighs. grab your partner, bailamos!

ombra international can save you with the fury and lust. bordeaux cold-wave band, bagarre perdue kick things off with cowboy and the psychedelic spaniard, sutja gutierrez closes with a tripped out vocal track. the b-side goes more for the dance floor with french-londonite, mondowski and a post-punk slow wave song ties it all together from st. petersburg russias, seven knives.

just in time to warm up your winter, hell yeah revisit the peerless recent tsuki album from ambient and balearic masters tempelhof & gigi masin. two tracks from the album are included on this new package, as well as a remix from jex opolis. trancendental and dreamy drums characterise the new age corner song, which is the sound of laying back on a boat and bobbing up and down on gentle seas at sunrise. its organic and soothing to the max. the other original is flying man, a suspensory film that feels like floating amongst the clouds on a humid afternoon. wordless vocals add a heavenly feel to the lush and all encompassing chords and pads and nothing sounds sweeter than being lost in this one. it is corner song that gets remixed by good timin and running back man jex opolis. famous for his disco infused synth pop sound he is a master of his own musical world. his version is eight minutes of laid-back tropicalia. slowly churning drums and knotted funk-bass prop it up as an eco-system of pops, clicks and hits add to the steamy and sensuous groove. it s grown up disco for cocktails on the terrace and will have you hugging anyone in earshot. support by calm, lexx, leo mas, apiento, zambon, max essa, kito jempere, buena onda djs, balearic gabba sound system.

after their release on all inn records, they are back home with -quattuor-, the fourth release of their own imprint.

every story has to come to an end at some point. the final chapter of this piece of musical literature is written and wrapped. the third release on het is deliverd by hagen richter. the 4-track-ep has a wide range, which spans from industrial soundscapes, elektrotechnoid tunes up to the classic types of techno vibes. the mutual basis of all cuts is the approach of storytelling, which is the artists goal as a dj as well. future tales are in the making.

im going to try not to gush too much about the fact that me me me has raj pannus first ever record, but you have to understand that he’s dj royalty to someone from where i come from. from his residencies in newcastle in the early 90s, touring all over europe, playing with the likes of gilles peterson, jazzanova and james lavelle to his move into turntablism in the late 90s playing one on one with dj craze, a-trak and q-bert.

keysound crew in a double-header of invigorating bashment and jungle excursions for all you ravers, with nuff sirens, bleeps and fucked-up percussion.

special sales pack for all you athletikk lovers out there - contains three classic releases
athletikk001: kerosene - like a ghost
athletikk003: jussi-pekka - uraputki express
athletikk004: kerosene - little mosquito (lars sommerfeld remix)

takeshi fukushima aka takecha, gwm is one of the most important artist in 90s japanese house music scene. this release compiles his unreleased recordings between 1993 and 1996. all the tracks are newly mastered from the original dat tapes. gwm is most known as the label where soichi terada had releases.

limited and numbered multi-coloured 180 gram audiophile vinyl edition of ramin djawadi’s original score for season 7 of the hbo series “game of thrones”. housed in a gatefold sleeve with download code included.

joran van pol is back on minus with edge, a fantastic four track ep that is his first on the label since 2013. in the years since, the amsterdam based artist has set up his own fade label and has continued to evolve his cinematic techno sound. previously, van pol has also released on labels like rejected, sci+tec and ideal audio, and has the support of all the big techno players who often reach for his tunes in their sets. as a dj he is just as in demand, with headline slots everywhere from space ibiza to time warp all behind him. having recently set up a new studio, he is still coming on strong with fresh inspiration and ever more essential grooves. ‘illos opens things with seven spooky minutes of icy techno. rolling rubbery drums pump away below, and the details up top make for an evocative soundscape with distant industrial sounds, groaning bass and razor sharp hi hats all filling your mind with imagery. next comes title track ‘edge, another brilliant sonic landscape with tense chords repeating over ticking percussion. its a track that builds tension throughout, and keeps you looking over your shoulder into the eerie blackness. the perfectly high pressure ‘return is one that locks you in and never lets up, with warped synths snaking above traintrack like drums and hits. a dark, rumbling bassline and the sounds of pistons releasing air all add to the intensity of this brainmelting bit of futuristic techno. last but not least, ‘frostbite is then the most spacious and spooky offering of the lot. it has freaky alien sound designs scattered around the track with supple kicks driving the whole thing forwards. its an absorbing cut that hurries along and takes you for a thrilling ride. these are four more inventive techno tracks from one of the contemporary scenes brightest stars.

key selling points the chorus: that moment where everyone connects and participates in unity. a moment anyone whos shared a dancefloor can recognise whether its a festival arena, subterranean dark room or an illegal rave in a field, warehouse or any abandoned canvas between… like the ones colognes julian stetter has come from. inspired by subversive communities, all pulling together for a greater cause, his background in underground parties can be felt in everything hes done so far: his work with the ancient future now label, his vast imaginative techno constructions and now his work with jennifer cardinis long-standing community correspondant with the widescreen odyssey that is ‘chorus six slices of evocative narrative-rich electronic soul inspired by his on-going international experiences on the road, loaded with poignant introspection, thunderous rumbles and playful theatrics, the ep is bookended by two versions of ‘chorus, a vision of scorching hope and lift that can seize a full floors attention in seconds and full live up to the tracks title, message and meaning. by far julians most significant solo ep to date, this is a moment for us all to connect and participate. join in if you know the chorus

kalakuta soul records joins forces with waf80music to proudly present kai niggemanns solo debut, an all original album of outrageous poetically abstract music created live and without overdubs on a buchla 200e electric music box, one of the rarest and most sought after electronic music instruments. working on the platform since 2013, kai niggemann has become one of germanys leading artists who perform live with a buchla 200e. his style is an electro-acoustic storytelling, a clubby dreamscape and a poetically-abstract kraut-infused energetic mix of new elektronische musik with contemporary club culture. nerds love the technology and clubbers love the throbbing drive of the basslines. its all improvised and recorded live in berlin — yet it sounds meticulously crafted in a dark basement studio throughout the entire last winters.

drumcode returns with its 6th installment of the internationally celebrated a-sides series. renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why beyer s brand continues to go from strength to strength. techno titan adam beyer has grown drumcode into a force to be reckoned with, the label has become synonymous with forward-thinking, functional techno and even after 20 years, drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world s number one techno label. 2017 is no exception, with beyer s imprint hosting it s first stage at tomorrowland, not to mention the expansion of the critically acclaimed junction 2 where the drumcode stage is the centrepiece and adam plays the key role of festival director. the drumcode phenomenon continues to grow each week, chiefly fuelled by drumcode radio, adam s radio show thats broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. the a-sides series acts as a perfect vignette of drumcode s cutting-edge sound, functional yet inspired techno, all tracks tried and tested by beyer himself. vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. the heart-throbbing bass in amelie lens electrifying piece in silence sets the tone for the dark and dance-floor-ready energy that vol.6 carries the whole way through. other standouts include mars bill s rough n ready mohave. pulsating and precise, mohave has highlighted many of beyer s sets recently as has wehbba s monster track fake , which fans have been anticipating the release of all year. label-favourites dense & pika also feature on a-sides vol. 6 with their hard-hitting just a beat and a huge track from beyer himself who has joined forces with enrico sangiuliano to bring us their undeniably infectious preset heaven. with many more notable selections from the likes of julian jewell, timmo, tiger stripes and pig&dan, a-sides vol. 6 is another impressive addition to the label s prolific release roster and a testament to why drumcode remains at the forefront of the electronic world.

special vinyl edition limited to 300 copies, gold-embossed sleeve, laser engraving on side b
winter, or a time which represents that season, in a metropole that appears to be moscow. the visitor is taking metro no. 6 at leninsky prospect as he is on his way to the ballroom close to gorky park. the air is icy, the sky is grey. a cat, previously hidden among the dirty snow, is crossing his way. the closer he gets to his destination, the clearer he can hear music, music that reminds him of future days. the dimly lit room is only sparsely filled. on stage a graceful singer, capturing the room with her presence. captive voices merge with chords played on yet unknown instruments machine rhythms cycle in 3/4 time. the vigorous peasant dancers, following an instinctive knowledge of the weight of fall, utilize their surplus energy to press all their strength into the proper beat of the measure, thus intensifying their personal enjoyment in dancing. here, in the transhuman ballroom, time stands still and values are being dissolved by numeric progressions. spiritually allied, the visitor, the singer and the peasant dancers short-circuit the present moment while the last falling snow slowly turns into rain. with walzerzyklus, atomtm returns to raster to complete his series that has once begun with liedgut and continued with winterreise. the 7 tracks, created in collaboration with russian singer lisokot, are subdivided into 3 pieces of 2 minutes each and 4 pieces of 3 minutes each, intentionally reflecting the 3/4 time of a classic waltz. throughout the release, lisokot’s delicate vocals are put into different relations to atomtms rather cool machine music, either complementing or contrasting each other. in the same line, the 3 shorter leitmotifs provide the main theme that is taken up repeatedly in the course of the release.

blocaus series is back and explores this time the deep side of things guided by the fearless awb lighting the way. the parisian based producer awb is well know to be the owner of taapion records with shlomo and pvnv and also released music on soma records and raw imprint. awb’s sound oscillates between deep / atmospheric techno, with film scoring influence which are reflected in this ep. he delivers 4 fantastic cuts including an outstanding remix by peter van hoesen all on the edge of an amazing melancholic and deep techno style.

shir khan welcomes zoo brazil to his infamous black jukebox disco house series. lately, the swedish producer released tracks on hot since 82 s knee deep in sound, nic fanciullis saved records and with more music to come on sasha s last night on earth and joris voorn s green label. for black jukebox john went all disco - think something like soundstream on ecstasy - hyperactive loops & grooves. pure locked in dancefloor moments !

four amazing collaborative tracks from resopal debutants cyd and clefomat from poland featuring mesmerizing, deep and warm techno tunes of the kind you can t crop because it s getting better and better. all four tracks on this ep skip and swing - gliding polyrhythms and soft, seamless ruptures appear. all melodic, yet with a perfect sense of what to omit in the club. modern techno music!

twenty years after the sonar base 4 - 10 release on the legendary dutch record label u-trax, it is now time for an official high quality remastered vinyl re-issue on deeptrax records. the rare original was very hard to find and is considered as one of the highlights of dutch electro and techno. the dutchman frank de groodt a.k.a sonar base is hitting hard with a perfect blend of 70 minutes of aquasonic electro, intergalactic boogie and deep techno. frank started out on u-trax records in 1994, and released as the operator and optic crux on djax-up-beats before his more recent releases as fastgraph on klakson. besides he s also part of random xs and ultradyne. this bass oriented, mind bending album is considered one of the netherlands best kept secrets and has been a fave amongst connaisseurs, selectors and djs around the globe for many years. a real post apocalyptic gem from utrecht that is as fresh and sharp as it was originally released 20 years ago. the tracks are full bodied, muscular pieces of electro and techno with hidden melodies and savage beats upon clever bass lines. all tracks analog remastered by ballyhoo studios and pressed by the brand new vinyl pressing plant deepgrooves for optimal listening pleasure. this is just the first one of a series by sonar base released on deeptrax records. buy your own personal outer-space sonar base package, filling that black hole in your macrocosm collection. you don t want to miss this a second time!

pal is a series of compilations by pear, showcasing all the various iterations&#8203,, of that sound they know and love. for the first volume, they&#8203,, have&#8203,, cast their net far and&#8203,, wide &&#8203,, think you should find something&#8203,, to enjoy amidst it all.

dj psychiatre is the france-based doctor who is willing to listen to all of your problems and give you the prescription for all you need.
delirium ep is a blister pack of five prozak pills, filled with melted house bass, dreamy ambient toppings and experimental icing. strictly by doctors orders only!

lottus got this deep and old school flavour touch, driving and sweat at the same time, this one is for franck the highlight of his new ep,so no big words on this one. it s a lottus love affair here. air is a cosmic journey into franck s synthetic drum sounds, passing thru his famous space echo 201 made back in the days by roland..the machine got some natural errors and goes with the tape delay feelings.. it s all about movements and space rythms here.christal is using the famous 909 drum machine and 808 toms.. this one goes very deep into our mind with strange vocals wich franck got the secret to play with, it s a sentimental and emotionnal song, cute for some people but very relaxing after all to complete this ep.my name is was originaly out on franck s realtone records imprint. it came out with two different versions.the track received some good feedbacks and plays so far and our dear friend berlin based alexkid came back to us with his own edit and we definitly loved it but we were very busy with the releases.. this edit has been lost in our hard drives and now franck is more than happy to give it a new life.

the original motion picture soundtrack from blade runner 2049 on double vinyl

the legendary wu-tang clan is among the most successful and influential groups in hip-hop history. as one of the nine original members, masta killa has been an important part of the wu-tang legacy since the groups debut in 1993. hes contributed verses to countless wu classics (glaciers of ice, winter warz, triumph, duel of the iron mic, wu banga 101), released three critically acclaimed solo albums, and always remained true to the core clan aesthetic: razor-sharp wisdom over dusty, soulful production. now, masta killa is back with a brand new album, loyalty is royalty. the highly-anticipated project boasts an impressive list of guest appearances, including method man, redman, kxng crooked, sean price, rza, gza, prodigy, inspectah deck, cappadonna, and more. as fate would have it, two of those mcs have since passed away, making their contributions particularly special. all praises due to the memories of sean price and prodigy of mobb deep, says mk. two hip hop legends. with production handled by the likes of 9th wonder, illmind, p.f. cuttin, rza, true master, and dame grease, loyalty is royalty delivers the kind of classic hip hop experience fans have come to expect from masta killa.

contemporary producer e. myers has self released four limited edition white label 12?s since 2015, whilst managing to remain low profile. whoever they are, we guess they?re huge fans of late 1980s chicago house, shep pettibone, colourbox and most of our reissues. so much that they asked us to re-release their second 12? ?hate / love? from 2016 backed with new remix of ?hate? made for dark entries. ?love? kicks off the a-side ?beats out a wood-cut tattoo of tuff drums rubbed with balloon-squeak synths to sound like gesloten cirkel meets helena hauff,? said boomkat. ?hate? is a dreamy house number that ultilzes a roland tr-707 drum machine with a rounded bassline, horns and strings that lift it into the stratosphere. for the new remix of ?hate? myers subtly shifts the pace and deepens the groove, stretching out the song to over 7 minutes of dubbed out new beat phantasia. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the 12? is housed in a die cut disco jacket that features an original design by eloise leigh.

the 4th vinyl only release by complatt representing a secret formula of quantum physics hidden all inside of the release. enjoy the music and stay tuned!

a super talented romanian artist moratu joins the label complatt with this enormous ep -efect de sunet- that brings us all his amazing notes, way of thinking, his vision, his underground attitude. this record contains of 3 amazing tracks that must be played on the very best underground parties only. vinyl only format, no digital promo or digital release afterwards, no further re-press.

dark entries is honored to release a 4-track ep by red axes, the prolific production duo of dori sadovnik and niv arzi from tel aviv. the pair were raised on a diet of post-punk, new-wave, and italo-disco at fogged out warehouse and basement parties. their own productions and remixes have appeared on labels such as i?m a clich?, correspondant, and hivern discs. ?nyx tape? features two new compositions backed with two edits from our catalog. first up is the slick electro anthem ?5 min? another collaboration with french-canadian born singer chlo? raunet aka c.a.r. followed by ?nyx tape? featuring charismatic singer-lyricist gina kikoine aka gina x, who reached out after hearing their remix of her classic single ?no gdm? that was a huge anthem on the tel aviv 80s underground scene. the track is an ecstatic dance to the rhythm in the darkness with gina?s ice cold teutonic spoken word taking creative inspiration from the jewish mourners? prayer ? the kaddish. on the b-side ?destination moon? by solid space from 1982 has been given a dancefloor makeover with moody synths and a haunting guitar line reminiscent of an adrian sherwood dub. closing this ep is a hypnotic edit of ?la machine ? r?ver? by french bedroom synth freaks x-ray pop from 1984 slowed down to a 4/4 groove that takes the original to outer space and back. all songs have been mastered for vinyl by george horn at fantasy studios in berkeley. the ep is housed in a custom made jacket that features an original collage by eloise leigh representing nyx, the greek goddess of the night. each copy included a postcard with notes and lyrics.

hugh ‘redman’ james is one of the greatest jamaican music producers of the late 1980s. raised in a musical household in the west kingston slum of hannah town, with his mother a sound system selector, redman gained his initial schooling in the music business from none other than king tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. after being immersed in sound system culture during his youth in the 1960s and 70s, redman began sitting in on sessions at king tubby’s studio, but migrated to hartford, connecticut in 1978 in search of steady employment. returning to jamaica a few years later, he established a popular sound system in kingston and began producing music with king tubby’s assistance in 1985, working with the roots radics during a time of great uncertainty in jamaican music, as the new dancehall style came to prominence, early work featured gregory isaacs, sugar minott and frankie paul, as well as rising stars such as little john and horace martin. then, following the computerisation of dancehall, redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included steely and clevie, augmented by members of the browne bunch and other players. redman helped establish a number of total unknowns in this era, including carl meeks, dave bailey and wayne palmer, and became a serious contender for king jammy’s crown. but the producer was ultimately frustrated by the dramatic changes to sweep jamaican music in the early 1990s, and subsequently retreated from the music industry redman international dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

first up on the fresh amsterdam-based label late night burners is kurley s debut -feelings ep-. for this young and very talented musician anything goes, as long as it s unique, warm, rhythmic, and raw, and this five tracker perfectly showcases this ethos. from the uplifting, acid-driven title track, we dive straight into -heartbeat-, taking us a level deeper. on the b-side kurley starts off with the stabby, slightly melancholic -long time- while never losing the floor out of sight, preparing us for the vocoder-infused killer -groove all night-. closing off the ep is -tribute-, bringing a more exotic type of heat. in short: a lot to love.

the greatest hits plus two new tracks from bryan adams on double vinyl, housed in a gatefold sleeve.

frío y vacío is a band based in méxico city, formed in 2015 by the prolific angel kauff (vocals, guitar, synths, drum machine) and jon gil (bass, drum machine). angel also created his more synth orientated stockhaussen and isotropía projects, jon is also half of the identik fact project, the other half being his twin brother jeremy key who in turn is the guest vocalist in frío y vacío s song autodestrucción . what frío y vacío do is a reflection of their name, meaning cold and void . they have been influenced by different music genres, from post-punk and goth rock to cold wave and synth punk, all with a classic 80s sound. the lyrics are a consequence of kauff s personal experiences and feelings. the music, a maelstrom of fast rhythms, sharp guitars, thumping baselines, everything to create an oppressive atmosphere, charged with a high load of electrostatic power that is released in almost every song. pure, dark energy. note: limited to 265 hand numbered copies - comes with download code and lyrics insert

following on from nick cave & warren ellis score to wind river, we are delighted to bring you more soundtrack music from the pair. the score to war machine is pressed on 2 x white coloured vinyl and housed in a deluxe heavyweight gatefold sleeve with beautiful art and stills from the film. the vinyl is cut at 45rpm for optimal audio quality!
war machine is a new netflix film, directed by david michôd and starring brad pitt, tilda swinton, and others.

mondo is proud to present a 2xlp remastered version of danny elfman’s score to batman returns. this 2xlp is pressed on 180 gram vinyl and all new artwork by kilian eng.

amsterdams worst kept secret makes it back to unknown precept with his long-awaited album and first solo output since the acclaimed divine bovine tape mini-album. inspired by an evening spent in a restaurant next to a car demolition site, eindkrak s long player debut echoes the distant sound of steel being crushed and cars pressed into cubes. all this noise, in combination with the taste of good italian food, lead to the eleven tracks making up for the aptly titled brullend staal — loosely translated to weeping steel. a leisurely stroll on crumpled metal sheets, the acidic hints of oxidized metal and the smell of gasoline. inaudible and distorted vocals as if smothered by the clatter and smokestacks of steel factories. eindkrak s first full-length is all about this disquietude made of melted and straightened scrap metal. a resounding and tumultuous din. try to eat some nice gnocchis while listening to this album, and you ll see what it is all about.

bob dylan’s 1964 album back on 180 gram vinyl

a tripped-out batch of hard jamming tracks from ex-mutante rita lee – recorded with assistance from all the members of the group at the time, but in a mode that’s quite different overall! lee is clearly the star of the show here – singing all lyrics with a much fiercer vocal approach than on her earlier solo album – pushing things hard to keep up with the jamming keyboards of arnaldo baptista and guitar of sergio dias – both of whom are working with the energy that would show up in the mutantes styles in the years after lee departed. one of the most compelling aspects of the record is the structure of the tunes – less conventionally rockish overall than the direction os mutantes were moving towards – and still with that strong dramatic flair that lee always provided when in the group. titles include -vamos tratar da saude-, -amor branco e preto-, -superficie do planeta-, -teimoisia-, -tapupukitipa-, -beija me amor-, and -frique como-.

a landmark album from late 60s brazil! this is the first – and the wildest – album by this legendary group that was one of the founding forces of the tropicalia movement – a brilliant musical statement that easily ranks with some of the most groundbreaking late 60s american work by the velvet underground, captain beefheart, or the stooges! the music is a wonderful blend of 60s rock and early mpb – hard-driving with plenty of guitars, but also produced with beautifully baroque touches that echo through simultaneous albums by caetano veloso and gal costa – both of whose 1969 albums are strongly resonant with this one. in fact, caetano contributed a number of tracks to the album, including -panis et circenses-, -bat macumba-, -trem fantastma-, and his great -baby-, which is done fantastically here. great stuff all ’round!